Guest Post: Five Insane Wild Rock Performances!

Howdy rockers! This post, bringing out some of the most insane wild performances in rock music, has been contributed to us by one of our very own esteemed readers. Check out what she thinks:

Rock and Roll is brimming with unforgettably wild performances from artists whose sanity might, indeed, be questionable. However, the on-stage antics of these five bands/ performers have become the stuff of legend. The following must-see performances will demonstrate that wild insanity and great music can go hand in hand.

• The Who:  Who can say, decades later, what Pete Townshend’s guitar did to deserve to be smashed up, but the legendary crack up and the rock insanity that fueled it is one of live Rock’s greatest moments. Credited as the first guitar-smashing rocker, Townshend and his mid-1960s guitar smash helped gain the band notoriety and not to be outdone—the drummer, Keith Moon—began destroying his drum kits, too. All in all, when fans first glimpsed that performance of Townshend’s destructive force, Rock music became celebrated for the joy of sheer mayhem. 

•  Pink Floyd:  Regarded as one of the highlights in Rock’s history, Pink Floyd’s 1980 theatrical show that brought their double album The Wall to life on stage is still considered one of the most incredible and wild rides of live performance. Dismayed by the growing isolation from his fans Roger Waters felt during stadium performances, he conceived of building a real wall on stage. Fans watched the concert performance as a 6-man crew built a wall in front of the band. At intermission, Waters placed the final brick. Then, an explosive crash witnessed the crumbling of the wall as the band launched into “Outside the Wall.” Concert productions have never been the same since. 

•  Alice Cooper: Shock rocker Alice Cooper wowed audiences back in 1973 when he faked his death during the climax of his live show by placing his neck in a guillotine. The trick guillotine was built to stun audiences who were treated to the mad performer’s beheading. Many groups tried to ban Cooper from repeating this prank at other shows, but Cooper prevailed and his famous guillotine act continues to be one of Rock and Roll’s craziest moments. 

•  Kiss: The 1970s, a wild time in Rock and Roll history, also witnessed the live performances of Kiss who combined Heavy Metal with elements of Glam Rock. At the height of their wild performances, Kiss wowed audiences with laser-firing guitars, blood-spitting, fog, explosions, and unforgettable fire-breathing pyrotechnics. The Kiss Army rejoiced at the painted faces of their mad generals who took rock concerts to a crazy new level. 

•  Jimi Hendrix: On a late March evening in 1967, Hendrix lit his guitar on fire as the culminating event of a performance while touring in the UK and parts of Europe. Hendrix was cementing his reputation as an innovative and highly influential guitar player when he set his guitar in flames. Wild and crazy though it was, the act is one of Rock and Roll’s greatest moments and the viewed performance continues to generate fans and astound viewers. Not surprising, Jimi’s burning guitar is forever associated with Rock and Roll madness. 

Author Bio: Mahal Kapoor is a member of a network of bloggers who write about premium travel on behalf of companies such as American Express. The Platinum Card from American Express offers a host of lifestyle and travel benefits to Cardholders.

Kevlar Bikini's hardcore debut with 'Explodisiac'!

Kevlar Bikini, who call themselves a 'Punk/Rock n Roll/Hardcore quartet, were next on my list today, and I went on to listen to their debut album titled 'EXPLODISIAC'. This four-headed beast is made up of Auker on the vocals, Arlavi on the bass, Berta on the guitar and Kicho on the drums.

The album began with 'Devil's Jukebox', which had a heavy metal tone, and gets you in the groove with the guitar rhythm and the drumbeats. I've personally found most metal bands to be lacking variety in their songs or albums, but the basslines did a good job in the interlude to keep me addicted. 'Yikes Mama', I loved the intro totally. This track was very creatively done by the band. It had elements of Rock n Roll and heavy metal rolled into one. The vocals and the bass were commendable.

'Supersized Buttcake' had an unusual intro, dominant vocals and beats, while the next track 'Suped Up Machine' had a cool head-banging riff and rhythm throughout. Gets your adrenaline rushing up so fast, just the track you'd love when in rage.

As sweet as the name sounds, 'Sweet ride' began with a clean intro on the guitar and the bass from behind. Though I was expecting something more in this track, especially towards the end, but the guitar-bass duo did add some variety to this album. I was delighted when I reached the next track titled 'Jab', which actually began with the same tone that the previous instrumental ended with! Amazing start, and an amazing idea. The drums, the guitar, the vocals, all did a fabulous job in this one. The bass was consistent throughout. One of my favorites from the album.

'Pretzelspine' flagged off with an improvisation on the drums and a cool dominating guitar riff. I liked the chorus much. The drumrolls were noteworthy. Good job! Moving on, I found what I was looking for in 'Urinea', which had a pleasant intro on clean guitar chords and bass, and light drums in the background. A soft number, with a beautiful ending, though the vocals could have been much better. Reminded somewhat of 'Serenity' by Godsmack for a while too, considering the feel induced in this track.

The last track called 'Kiss it like its skinny Liv Tyler' had a nice change on the tempo and dominant bass-lines complimented well by those punching guitar riffs and exuberant vocals throughout. I quite liked the interlude patterns in most of the songs.

The band's genre as quoted on their website states 'punk', though I found this album to have metal infleunces in most of the songs, if not all. Their music is definitely original and well structured, and the album has variety too. The album is quite successful in keeping you hooked to your iPod till the end, though another unplugged truck would have been great. For a debut album, they sure do make a mark out there.
You can check out the band right here.

Ellis Ashbrook: Redefining creativity with their music!

I stumbled upon an American band called 'Ellis Ashbrook', who call their genre as 'Exploratory Rock', and well, that was quite interesting to me at first sight. The band comprises of John Barber on the vocals and guitar, Natalie Lowe on the vocals and keys, Jonathan Granoff on the Bass, and Alex Major on the Drums. I got hold of their latest album called 'Meridia' and honestly, I am extremely lucky to have heard it. Here's why:

The album begins with 'Accelerator', and oh boy! Its really as if they stepped up on the accelerator! Amazing intro. I quickly put on my headphones on full volume. This song straight-away touched my heart at one go. The bass, rhythm and percussions were so strong throughout, and the duet vocals were so much synchronised. It reminded me of some tracks from Rush with the amazing keyboard solo towards the end. In one word, 'PERFECT' !

I was too much excited to move on to the next track called 'Slide', which started off with a cool improvisation on the drums, followed by a hard rock riff on the guitar. What I liked the most was the chorus vocals, exquisite! This song has a lot of variations in the rhythm patterns, tempo, and even the vocals. All the members are extremely good at their parts, and listening to them together as a band is even better.

Moving on, after two power-packed songs, I was expecting a somewhat softer one, and that's what exactly I got in the 'Cat Song'. A wah-wah intro to start with, this one had cool basslines, and some nice drum rolls in the chorus. The guitar solo was what I was looking for now, but it had a drum solo in store too. Way to go.

Ellis Ashbrook somehow knows what should come next, and they sure know it right indeed. After a guitar intro, you get a bass intro by Jonathan Granoff, and peppy, exquisite vocals by Natalie Lowe in 'We laughin'. The chorus effect in the verse was noteworthy. The guitar solo again took me back to the 70s, reminding me of AC/DC and Led Zeppelin, 'Since I've been loving you' to be specific. John Barber, hats off!

Setting up such high expectactions with just the initial tracks, I didn't know what could come next. But yet again, a nice arpeggio by Barber, and beautiful vocals throughout in 'Peripheral Declination'. Alex Major has been consistent throughout the album, with his perfect timings and beats. The drums have been exemplary at all times.

Then comes the 'Climax', literally too. A pleasant track, transporting you to an altogether different feel, a synth-induced background, complementing Natalie's awesome vocals throughout. The violin solo towards the end was a big surprise!

The self-titled track, 'Meridia', was just around a 2 min track, with a variety of experimental sounds fitted together. It seemed as a trailer for this album on second thoughts. 'Unbreakable' flags off with an open snare roll by Alex, followed by Natalie again on the vocals. The improvisation at the end reminded of the epic 'Bohemian Rhapsody' by none other than, Queen!

The last track called 'Bottomfeeder', had John Barber begin on the vocals with the keyboard in the background, and reminded me vaguely of The Who too for a moment. The track progresses with an entry by Alex on the drums, followed by Jonathan on the bass. I loved the 5 second fusion between the guitar, drums and the bass towards the end.

Summing up, I'd fall short of words to describe this album. In terms of the sounds, the originality, the creativity, the mixing, and the synchronisation, Meridia is a FLAWLESS album by Ellis Ashbrook. It was like a fusion of classic old-school with modern rock, done perfectly in their own, freaking way! The amount of work, and the passion is completely evident in each single track, and well, I'd even rate them amongst the best modern rock bands today.
I'm a fan, a big one at that!