Monday, May 30, 2011
You Ought to get 'Spaced' out !
Saturday, May 28, 2011
This Rolling Stone Mag's cover is yours. Go choose it folks!
And be sure to cast your votes here!
http://www.rollingstone.com/
Check out some of their tracks below :
The Sheepdogs – Learn My Lesson by Rolling Stone
Lelia Broussard – Turn Me On by Rolling Stone
Thursday, May 26, 2011
My Education/Theta Naught: Sound Mass album Review
With a mere five tracks, I was at first tempted to call the My Education/Theta Naught album an EP. But further investigation led me to realize those five tracks make up 52 minutes and 18 seconds of well-crafted and detail-orientated music; I’d say that’s significantly more than an EP.
James Alexander - viola
Briawna Anderson - harp
Darren Corey - drums
Henna Chou - cello
Chris Hackstie - pedal steel
Josh Ogzewalla - guitar
Brian Purington - guitar
Ryan Stanfield - bass, saw, banjo
Chris Stelly - drums
Scott Telles - bass
The 17-minute opening track (creatively titled “Careful With That Saw, Ryan”) begins gently, creating a peaceful and soothing soundscape. Halfway through, timid distortions on stringed instruments interrupt the tranquil sounds as the track gains momentum with the introduction of guitar and percussion. It climaxes with a marching drum beat and fluctuating instrumentals as calm as it opens with, but with more drive and definition.
Track two, “Nonet”, sounds more like a rock song than ambient sounds. Snares, bass, and strings open the song, riding the fence between an alternative rock interlude and more of the beautiful music from the album’s epic opening track. Following similar structure to “Careful With That Saw, Ryan”, “Nonet” opens lightly and builds to a climax, then instruments once again drop out until the music simply dissolves.
The album’s third and fifth songs, “A Casual Show For Yachting” and “Salt Lake City Film Society”, offer little diversity from “Nonet”, excluding stronger strings and edgier electric guitar. File them both under the umbrella of “easy listening”.
“Communion” is the album’s best track, incorporating the most noticeable amount of instrumentation and taking a few extra steps outside of their traditional sound. It’s ambient (My Education’s norm), but guitar plays a heavy role, noodling around on the song’s meatiest segment and finally meeting expectations of a band that defines themselves as a “rock” band.
In my opinion, it’s a stretch to call Sound Mass a rock album, though select elements of the genre are certainly present. Rather than exciting listeners to get up and dance, the mega chill tunes instead offer a universally appealing sound that’s more entertaining than elevator music, but could easily function as exactly that. It’s ideal for those who need something engaging to listen to while doing homework or writing a report but can’t be distracted by lyrics. And personally, I found the new age instrumentals to be particularly relaxing while lying in the tanning bed.
Both the artists' extensive cabinet of instrumentation is put to good use with proficient songwriting skills on Sound Mass. It’s not your next workout album or summer anthem music, but it will help you relax and ease the fast pace of life.
Sunday, May 15, 2011
The Turtles are back to their Research with ManKiller !
When I heard that Research Turtles were comin’ out with a new EP called 'Mankiller' , I was anxious to see what direction the band would take. The direction in which a band after an astounding debut album , decides to stick to the ‘winning’ formula and stagnate the sound without experimenting with various styles or the direction in which a band keeps belting out tracks at an unrelenting passion alongwith progressing sound – wise after every release .
Research Turtles , I’m happy to say , fall in the latter category . While their self titled debut effort was more of garage influenced stuff , this EP blends pop punk with Britpop to create a unique sound of its own . It’s not as if the garage influences have been totally knocked out , but they have seamlessly combined these genres together to actually create good stuff .
For those who don’t know , Research Turtles is a four – piece act consisting of Jud Norman on the vocals and bass guitars , Joseph Darbonne and Logan Fontenet on the guitars and Blake Thibodeaux handling the drum duties . Although their first album might have had critics debating on Jud's lesser variety in his vocals, this EP shuts them so frigging tight . Jud’s bass playing along with Blake’s skin slamming capabilities form the impeccable rhythm section which is perfectly supplemented by Joseph’s and Logan’s guitaring . Though this album doesn’t emphasize on the solo aspect of guitar playing , it experiments with guitar effects and layers .
The EP begins with a small song named ‘Girl Like You’ which is the softest track of the EP , with Jud singing with an acoustic guitar playing in the background . Next up , is a track called ‘You Are So’ which kicks off in a true Research Turtles style . The song is energetic , to say the least , and Jud’s bass playing is also commendable . ‘Bugs In a Jar‘ is a soothing track with an infectiously catchy chorus and a pop like quality of the song makes it one of the best songs in the EP . Following this is the title track , ‘Mankiller’ , which displays the change in direction (sound – wise) aptly. The bass playing is very groovy in this track . Jud shows that he cannot be stereotyped into a specific vocal range while Joseph’s and Logan’s Guitar work is aggressive , somewhat punk – ish , and Blake’s drumming is very impressive , to say the least . The EP ends with the track ‘Rhinestone Gal’ , which is my favorite track from the EP . This track is a belter of a track due to the presence of sheer amount of energy the listener can feel while listening to it . Guitar effects are very well complemented by Blake’s tight drumming . The last 40 seconds are the best part of the song , with a headbanging like quality about it .
My final advise to you all – DO NOT STARE at your screen. Go buy it and hell yeah , you are gonna love it.
Tuesday, May 10, 2011
THE CHAIN-A story of music maniacs!
Tribute bands are all about love. At least that’s how I see it. You encounter music that drives you crazy and before you know it, you’re in a trance that’s going to be with you till you bid the blue planet adieu. People look back at the 60’s and the 70’s and even parts of the early 80’s as the time where music finally evolved. Some people call it the Golden era; others merely remember it to be the time when “real music” happened. Fleetwood Mac was part of the same revolution and are major stakeholders in the change that we witnessed in that era. THE CHAIN are a similar bunch; they love Fleetwood Mac and are going to make sure people recognize, remember and most importantly enjoy the music the legendary British-American band were famous for.
THE CHAIN started out as Harder Edge in 1991 and comparisons to Fleetwood Mac have been rampant ever since. Be it facial resemblance to even the style of music they played, it’s basically been hard to ignore. So they decided a few years ago that they were ready for the next step-the same bunch of guys coming together under a new name to belt out tracks by their idols. In concert, these guys perform with an intensity that leaves people spellbound. The passion that they resonate as they swing about in their FM attire is epic.
And don’t mistake them to be novices. With years of music under their belt and a sound understanding of what people expect and what they stand for, they have turned into one among the best tribute bands on the scene. Never have they performed for a crowd that hasn’t been sold out or walked out of a place without the crowd going bonkers and swaying to their beats. They’ve done gigs at Hard Rock Cafe, Trib Amphitheater, Convention Centers and even performed for a private, "Real" English Royalty Party!
So let’s meet the band!
Founder - Jim (Doc) Stamps –( Mick Fleetwood), Drums/Percussion
Kimmy Scholl – (Stevie Nicks), Lead Singer
Rob Gamerro - (John McVie), Bass
Sandy Anderson – (Christine McVie), Keyboards & Vocals
Keith Cole – (Jeremy Spencer), Guitar & vocals
Tony Acker – (Lindsey Buckingham), Guitar & Vocals
To those confused, the name in the parenthesis is the Fleetwood Mac artist they portray.
Check these guys out at www.thechainfm.com or you can even check out their blog at http://thechainfm.blogspot.com
Also, you can see them LIVE at Hard Rock Café, Pittsburgh on June 11. You can buy tickets via Ticketmaster.
It’s all about the love people.